teaching

Like many of us, high school students are often attracted to stories with characters going through similar struggles and life changes. I have found some success teaching Alan Sillitoe's novella The Loneliness of the Long Distance Runner (1959), whose 17-year-old protagonist from a working class home, Colin Smith, has been caught burgling and is sent to a reform school. Discovering Smith’s gift for running, school officials enter him in a cross-country competition.

For me, the best way to teach William Faulkner is to begin with the Snopes, that ornery, duplicitous, barn-burning family of itinerant farmers, blacksmiths, bigamists and bank presidents.  Faulkner does not come naturally to most high school students, and he can be particularly hard to decipher for born-and-bred urbanites, too many of whom see his backwoods people as little more than players in a freak show. The key is to get students beyond a character’s eccentricities to his or her nobility.

The first beautiful thing about teaching Ernest Hemingway’s short stories is that a teacher is pretty much guaranteed that every student has read the assigned story by class time. That’s because Hemingway is so readily accessible, so seemingly simple. In fact, when I teach “Indian Camp,” the first story in the collection In Our Time, I tell students, with a straight face, that Hemingway wrote like a nine-year old.

James Vescovi loved to write stories since the time he could hold a pencil. He grew up in Michigan and attended Miami University, majoring in English. After spending a year abroad, he earned a Master’s degree in American literature at Columbia University and then worked for twenty-five years as an editor and freelance writer before coming to Beekman.

How did you end up becoming an English teacher?